Writing Income -Side Hustle: Making Money in Unexpected Ways
Many writers do not make a living solely from writing income. Those who do often build their writing income from a variety of sources. Let’s talk about your side hustle.
Many writers do not make a living solely from writing income. Those who do often build their writing income from a variety of sources. Let’s talk about your side hustle.
Careful recordkeeping for writers helps cut time when it comes to filing taxes, and helps you make better use of your time by knowing what is working and what is not.
Author Jamie K. Schmidt explores opportunities for writers to get some extra cash in their bank account through passive income streams.
For many writers seeking steady money for their writing skill, work for hire offers opportunities that are often easier to break into than traditional publishing.
Author Jamie K. Schmidt encourages us to consider audio books when looking for ways for making money as a writer.
Professional writers take on extra challenges, and often face extra limitations as well. So the decision to write for money is best made after careful consideration of what you’ll gain and what you may give up.
Beyond the possibility of winning, there are so many benefits for writers entering contests. Jan Fields shares what contests can do for you.
Discover how connecting to learn with others can make a huge difference in your writing skills.
What can you hope to gain by entering a writing contest? IFW Instructor and contest judge Lynn Smith shares why entering a contest can improve your work.
Don’t be a stagnant writer. No matter where you are at in the journey, you still have places to go and things to learn.
Writing classes have considerable value for a writer, but there are things you can do to help the writing class do the most for you. Let’s look at four ways to make the most of writing classes.
IFW Instructor Kris Franklin illustrates how to build more tension in your story by showing and not telling.
Whatever your writing journey entails, it always includes learning. To write is to learn. And every piece of writing you do will teach you something if you let it.
A look at magazines published one, five, ten, and twenty or more years ago will reveal the same categories of nonfiction and many of the same topics. Why? Because they address universal needs and aim to help readers improve their lives.
Seasonal stories, seasonal poetry and even a bit of seasonal nonfiction can be counted upon to appear in magazines and on publishers’ book lists every year. Jan Fields shares how to make this perennial topics feel new.
Every year one event rolls around that is profoundly meaningful for children: the first day of school and these stories can offer a special opportunity for writers.
What’s going to be happening? Victoria Sherrow helps us plan for timely submissions for holidays and commemorative events. Look for new angles into the market.
Most publishers (including books and magazines) produce some holiday pieces each year. Here’s what you need to know to take advantage of these opportunities.
Mysteries are rarely open-ended because the very nature of how mysteries work requires closure to be successful. So let’s think about what makes for a good mystery ending.
Dialogue is important in virtually every story you’ll ever write, but in mysteries that importance (and difficulty) is compounded by the use of dialogue in relation to clues.
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1000 N. West Street #1200, Wilmington, DE 19801
© 2024 Direct Learning Systems, Inc. All rights reserved.
1000 N. West Street #1200, Wilmington, DE 19801
©2024 Direct Learning Systems, Inc. All rights reserved. Privacy Policy.