Use Specific Language to Energize Nonfiction Writing
Nonfiction writing doesn’t have to be boring. Learn to recognize generalities and replace them with specific, concrete language and vivid sensory details.
Learn from published authors who have spent decades perfecting their writing craft. Our bi-weekly posts offer ways to improve your craft and support your writing for adult genres such as romance, mystery, thriller, horror, and adventure.
Nonfiction writing doesn’t have to be boring. Learn to recognize generalities and replace them with specific, concrete language and vivid sensory details.
The lead that opens an article often seems like the most challenging part to write but it can be done. Use these tips for article leads that hook the reader.
Finding and securing a literary agent is just as difficult as it is to land a good publisher for your book. Susan Ludwig shows us the way in this post.
When writing nonfiction, editors generally want to see a book proposal before the book is finished. Here’s what you need to know about writing a book proposal.
You finished your manuscript. Hooray! Now what? Instructor Susan Ludwig guides us through whether you should look for an agent or a publisher for your work.
Indie publishing is a broad topic with many nuances. In part 2, Kristin Dawson gives insights on finding an editor, beta readers, and more! Let’s go!
Wondering how to indie publish your novel? Check out this step-by-step process for self-publishing your book with high-level insights and pitfalls.
What is an alpha reader versus a beta reader? We break down everything writers need to know about using alpha and beta readers for your next writing project.
Looking for back-to-school learning opportunities for writers? Susan Ludwig shares places where you can go back to school yourself and hone your writing skills.
As a writer, you may want to jump on the back-to-school bandwagon. There are an assortment of opportunities for your continuing education in the writing field.
Your readers should sense the subtle (and not-so-subtle) differences between the character voices in the stories you write. Try these exercises today!
Your author voice has a unique and specific makeup. The way your word choice, writing style, tone, and perspective all make your voice unique to you.
Dialogue is a powerful tool for conveying emotions. To write emotional dialogue that rings true, use these pointers from IFW Instructor Victoria Sherrow.
Good worldbuilding is an art. Writers must convince readers to live in their world. This writing exercise will help you build a world they won’t want to leave.
Every story we read will take place in a world and readers need to be immersed in it. Here are the elements of worldbuilding—no matter what genre you write.
Backstory may be necessary to fill readers in on the history of a character. Victoria Sherrow shares how to include it in ways that show and don’t tell.
To show emotions, we need words and phrases that help readers feel what the characters feel. This post will teach you how to show your characters’ emotions.
When writing fiction, we want to reduce the distance between reader and story. One good way “show, don’t tell” is to eliminate filter words.
If you want to be published, objective feedback is essential for your revisions. Instructor Sue Ford shares different types of feedback to improve your writing.
We type “the end” and are so excited, but the truth is no draft is perfect. Here’s why getting a manuscript critique is crucial to getting your work published.
1000 N. West Street #1200, Wilmington, DE 19801
© 2024 Direct Learning Systems, Inc. All rights reserved.
1000 N. West Street #1200, Wilmington, DE 19801
© 2024 Direct Learning Systems, Inc. All rights reserved.
1000 N. West Street #1200, Wilmington, DE 19801
©2024 Direct Learning Systems, Inc. All rights reserved. Privacy Policy.