4 Ways Setting Acts with and As Character
Setting can seem like a character all on its own, but only if the writer allows the setting to do its job. And that requires both research and imagination.
Setting can seem like a character all on its own, but only if the writer allows the setting to do its job. And that requires both research and imagination.
Worldbuilding is something every fiction writer needs to think about to create believable scenes rooted in a setting in such a way that readers feel it.
Backstory may be necessary to fill readers in on the history of a character. Victoria Sherrow shares how to include it in ways that show and don’t tell.
To show emotions, we need words and phrases that help readers feel what the characters feel. This post will teach you how to show your characters’ emotions.
When writing fiction, we want to reduce the distance between reader and story. One good way “show, don’t tell” is to eliminate filter words.
Not only does giving feedback help the writer who receives the feedback, it helps you as well. Let’s think about what makes good feedback and how to give it.
Preparing yourself to receive writing feedback is the best way to ensure you’ll improve. Let’s look at ways we sabotage our growth with unhelpful expectations.
If you want to be published, objective feedback is essential for your revisions. Instructor Sue Ford shares different types of feedback to improve your writing.
It’s easy to underestimate the value of feedback at some point in the revision process. Here’s where to get feedback and how to use it in your next manuscript.
Let’s look at some revision tools and techniques you may not have considered including timelines, style sheets, vision boards, and playlists!
We type “the end” and are so excited, but the truth is no draft is perfect. Here’s why getting a manuscript critique is crucial to getting your work published.
When writing for children, take a LEAP—write a story that teaches (LEARN), captivates (ENTERTAINS), AND gets the child to do something (PROVOKES).
One of the first things a reader looks for in a story is the viewpoint. Here are the benefits and drawbacks of using different points of view in your story.
Does your book need chapters? If so, how long should they be? Jan Fields reveals the ins and outs of using chapters effectively in your story.
Relationships play a key role in most fiction stories. Thinking about relationships of all kinds will make for stronger writing that will engage readers.
Writing involves choices. Word by word we can harness the power and magic of words. Let’s make the most of our writing choices with today’s post.
Two things will make readers fall in love with your book: premise and character. Jan Fields shows how to have them head over heels for both in your story.
Successful writers are also readers. The act of reading builds skills and inspires creativity. Let’s talk about building your reading list as a writer.
There are problems every new writer faces. Let’s look at some of the most common issues and turn them into 3 resolutions to make us all better writers.
Unity in nonfiction means the writing is cohesive, coherent, and creates a meaningful whole. Let’s explore how unity gives you a better shot at publication.
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1000 N. West Street #1200, Wilmington, DE 19801
© 2024 Direct Learning Systems, Inc. All rights reserved.
1000 N. West Street #1200, Wilmington, DE 19801
©2024 Direct Learning Systems, Inc. All rights reserved. Privacy Policy.