Use Specific Language to Energize Nonfiction Writing
Nonfiction writing doesn’t have to be boring. Learn to recognize generalities and replace them with specific, concrete language and vivid sensory details.
Nonfiction writing doesn’t have to be boring. Learn to recognize generalities and replace them with specific, concrete language and vivid sensory details.
The lead that opens an article often seems like the most challenging part to write but it can be done. Use these tips for article leads that hook the reader.
Publishers know that young people are hungry for good nonfiction. Let’s look at eight ways you can spruce up your nonfiction article writing.
Writing an effective nonfiction article ending is one of the most overlooked aspects of writing. Leave your reader satisfied with these riveting resolutions!
One of the best ways to learn what makes an engaging article opening is to study published nonfiction pieces and to see what made them successful. Let’s do it!
Writing nonfiction for very young children requires specific things but with a narrow focus, few words, and kid-friendly topics, you can break into this market.
The three essentials for any publishable children’s nonfiction are accuracy, clarity, and organization. Let’s look at these tips for success in nonfiction.
What does show don’t tell mean when it comes to nonfiction? Jan Fields shares examples of using sensory details to bring true stories to life for the readers.
Part of writing children’s books that can be used in a school setting lies in meeting the needs of the reader. Here are 4 steps to improve readability.
Looking for back-to-school learning opportunities for writers? Susan Ludwig shares places where you can go back to school yourself and hone your writing skills.
As a writer, you may want to jump on the back-to-school bandwagon. There are an assortment of opportunities for your continuing education in the writing field.
Speech tags and action tags or beats are essential when writing dialogue. These tiny but mighty words are the difference between reader confusion and enjoyment.
Dialogue is a favorite for writers AND readers. Dialogue makes your character present and real in a scene. Let’s talk tips and techniques for great dialogue.
Your readers should sense the subtle (and not-so-subtle) differences between the character voices in the stories you write. Try these exercises today!
Voice, whether your natural writing voice or the voice of a character, comes from an emotional place. Jan Fields gives us exercises to develop these voices.
Voice is something publishers want, but it’s an elusive thing to understand. Today, we discover ways to develop our own voice and the voices of our characters.
When writing conflict, inner and outer conflicts are not two separate things. Outer conflicts offer an opportunity to explore inner ones better. Find out how.
Your author voice has a unique and specific makeup. The way your word choice, writing style, tone, and perspective all make your voice unique to you.
Conflict in children’s books isn’t necessarily fights or arguments, it’s about the roadblocks that keep the character from getting what they want in the story.
Discover how the conflict the main character of your manuscript faces is the little piece of the story machine with the biggest impact on your reader.
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1000 N. West Street #1200, Wilmington, DE 19801
© 2024 Direct Learning Systems, Inc. All rights reserved.
1000 N. West Street #1200, Wilmington, DE 19801
©2024 Direct Learning Systems, Inc. All rights reserved. Privacy Policy.