Convey Emotions Through Dialogue
Dialogue is a powerful tool for conveying emotions. To write emotional dialogue that rings true, use these pointers from IFW Instructor Victoria Sherrow.
Dialogue is a powerful tool for conveying emotions. To write emotional dialogue that rings true, use these pointers from IFW Instructor Victoria Sherrow.
Plot moves forward as pressure is applied to characters to motivate them to act. Pressure in a story is all about the stakes. Are your stakes high enough?
Many writers think worldbuilding is only for fantasy and sci-fi, but it’s important for all stories. Consider worldbuilding in these 3 stages of writing.
Good worldbuilding is an art. Writers must convince readers to live in their world. This writing exercise will help you build a world they won’t want to leave.
Worldbuilding is the process of making decisions about setting and systems for a story. Check out these four tips for efficient and effective worldbuilding.
Setting can seem like a character all on its own, but only if the writer allows the setting to do its job. And that requires both research and imagination.
Every story we read will take place in a world and readers need to be immersed in it. Here are the elements of worldbuilding—no matter what genre you write.
Worldbuilding is something every fiction writer needs to think about to create believable scenes rooted in a setting in such a way that readers feel it.
Backstory may be necessary to fill readers in on the history of a character. Victoria Sherrow shares how to include it in ways that show and don’t tell.
To show emotions, we need words and phrases that help readers feel what the characters feel. This post will teach you how to show your characters’ emotions.
When writing fiction, we want to reduce the distance between reader and story. One good way “show, don’t tell” is to eliminate filter words.
Not only does giving feedback help the writer who receives the feedback, it helps you as well. Let’s think about what makes good feedback and how to give it.
Preparing yourself to receive writing feedback is the best way to ensure you’ll improve. Let’s look at ways we sabotage our growth with unhelpful expectations.
If you want to be published, objective feedback is essential for your revisions. Instructor Sue Ford shares different types of feedback to improve your writing.
It’s easy to underestimate the value of feedback at some point in the revision process. Here’s where to get feedback and how to use it in your next manuscript.
Let’s look at some revision tools and techniques you may not have considered including timelines, style sheets, vision boards, and playlists!
We type “the end” and are so excited, but the truth is no draft is perfect. Here’s why getting a manuscript critique is crucial to getting your work published.
When writing for children, take a LEAP—write a story that teaches (LEARN), captivates (ENTERTAINS), AND gets the child to do something (PROVOKES).
Does your book need chapters? If so, how long should they be? Jan Fields reveals the ins and outs of using chapters effectively in your story.
Relationships play a key role in most fiction stories. Thinking about relationships of all kinds will make for stronger writing that will engage readers.
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1000 N. West Street #1200, Wilmington, DE 19801
© 2024 Direct Learning Systems, Inc. All rights reserved.
1000 N. West Street #1200, Wilmington, DE 19801
©2024 Direct Learning Systems, Inc. All rights reserved. Privacy Policy.